Pages

Thursday, 6 September 2012

CULTURE OF MALAYSIA : Clothes




The richness and diversity of Malaysian traditional costumes can  be seen throughout the length and breadth of Malaysia. There is a great variety of beautiful costumes which differ in style and design from state to state.

 The birth of modern Malaysia in 1963 continues to add more of the amazing collection of traditional costumes. Malaysian costumes include Sabah and Sarawak, also rich in tradition and culture from its many ethnic and indigenous people, further contributed to the fashion heritage of Malaysia.

 Today we are most fortunate to witness the rich legacy of traditional costumes of various ethnic groups and communities in Malaysia as our very own cultural identity that we can be proud of.
 The Malaysian traditional costumes become a kaleidoscope of colours. It is a visual delight to one and all.


MALAY

Traditional Malay attire is the "baju melayu", a loose tunic which is worn over trousers and usually accompanied with a "sampin", which is a sarong which is wrapped around a man's hips. It is also often accompanied with a songkok or cap, on their head. Traditional clothing for men in Malaysia consists of a silk or cotton skirt and shirt with a scarf like piece of cloth tied around his waist. This scarf is sewn together at the ends and is traditionally called a sarong or a kain. Most of the clothing is made up of bright and bold colors. The man also wears a religious hat.
Malay women wear the baju kurung, a knee-length blouse worn over a long skirt. Usually a scarf or shawl is worn with this. Prior to the wide embrace of Islam, Malay women wore "kemban", which were sarongs which were tied just above the chest.



CHINESE

The classical everyday clothing for men in Malaysia is a short sleeved shirt worn outside the trousers, light-weight trousers and informally, sandals for comfort.
The Chinese women wear the cheongsam, a one-piece dress with a high collar, diagonally closed with small clips or toggles (fabric clasps). It sometimes can have slits at the side, as is made with a soft fabric such as silk. The cheongsam is especially popular around the time of the Chinese New Year and other formal gatherings (the fourth and fifth women from the right in the picture above). Older well-respected women wear a samfoo, which looks like pajamas with a separate loose fitting top fastened by toggles and ankle length, or above the ankle, pants.



INDIAN

Indians in Malaysia as with elsewhere in the world wear sarees, a cloth of 5-6 yards which is usually worn with a petticoat of a similar shade. It is wrapped around the body so that the embroidered end hangs over the shoulder, while the petticoat is worn above the bellybutton to support the saree, which can be made from a wide variety of materials. The Punjabi Salwar kameez is popular with women from northern India, and is a long tunic worn over trousers with a matching shawl. The fabric imported from India, made of the best quality silk is used in making saris. There are two layers to a sari: a long bright colored "dress" decorated with colorful beads sewn on it to make it look more attractive, and a wrap, a piece of straight fabric draped around one shoulder which ties across the body around the waist area. Women with a high standing will have their clothing made from gold and silver thread with elaborate beading.



IBAN

The male Iban is dressed in Baju Burung or vest and sirat woven loin-cloth which is a warrior's outfit. They also wear accessories such as a belt, armlet and anklet made from silver and a headgear decorated with hornbill feathers. The Iban maiden wears the ceremonial dress consisting of the bidang cloth, marek empang which is a chest adornment, the sugu tinggi headdress and other silver ornaments such as the coin belt and bangles.



KADAZAN

The male Kadazan is wearing a ceremonial costume usually worn during the Sumazau dance. It comprises of a jacket and trousers with gold trimmings and a woven destar cloth headgear known as siga. The female is wearing a ceremonial Kadazan Papar costume made of embroidered colour and gold thread. It is worn with a headgear made of bamboo strips known as siung and silver coin belt. These clothes are usually made from black velvet or silk.



PERANAKAN (BABA NYONYA)

The Peranakan retained most of their ethnic and religious origins (such as ancestor worship), but assimilated the language and culture of the Malays. The Nyonya's clothing, Baju Panjang (Long Dress) was adapted from the native Malay's Baju Kurung. It is worn with a batik sarong (batik wrap-around skirt) and 3 kerosang (brooches). Beaded slippers called Kasot Manek were a hand-made made with much skill and patience: strung, beaded and sewn onto canvas with tiny faceted glass beads from Bohemia (present-day Czech Republic).

In modern times, glass beads from Japan are preferred. Traditional kasot manek design often have European floral subjects, with colors influenced by Peranakan porcelain and batik sarongs. They were made onto flats or bedroom slippers. But from the 1930s, modern shapes became popular and heels were added.

In Indonesia, the Peranakans develop their own Kebaya, most notably 'kebaya encim', and developed their own batik patterns, which incorporate symbols from China.for the Baba they will wear baju lokchuan(which is the Chinese men full costume)but the younger generation they will wear just the top of it which is the long sleeved silk jacket with Chinese collar or the batik shirt.








CULTURE OF MALAYSIA



The culture of Malaysia draws on the varied cultures of the different people of Malaysia. The first people to live in the area were indigenous tribes that still remain; they were followed by the Malays, who moved there from mainland Asia in ancient times. Chinese and Indian cultural influences made their mark when trade began with those countries, and increased with immigration to Malaysia. Other cultures that heavily influenced that of Malaysia include Persian, Arabic, and British. The many different ethnicities that currently exist in Malaysia have their own unique and distinctive cultural identities, with some crossover.
Arts and music have a long tradition in Malaysia, with Malay art dating back to the Malay sultanates. Traditional art was centred around fields such as carving, silversmithing, and weaving. Islamic taboos restricted artwork depicting humans until the mid-20th century. Performing arts and shadow puppet shows are popular, and often show Indian influences. Various influences can be seen in architecture, from individual cultures in Malaysia and from other countries. Large modern structures have been built, including the tallest twin buildings in the world, the Petronas Twin Towers, . Malaysian music has a variety of origins, and is largely based around percussion instruments. Much early Malaysian literature was based on Indian epics, which remained unchanged even as Malays converted to Islam; this has expanded in recent decades. English literature remained restricted to the higher class until the arrival of the printing press. Locally created Chinese and Indian literature appeared in the 19th century.


Cuisine is often divided along ethnic lines, but some dishes exist which have mixed foods from different ethnicities. Each major religious group has its major holy days declared as official holidays. Official holidays differ by state; the most widespread one is Hari Merdeka, which celebrates the independence of Malaya. Although festivals often stem from a specific ethnic background, they are celebrated by all people in Malaysia. Traditional sports are popular in Malaysia, while it has become a powerhouse in international sports such as badminton. Malaysia hosted the Commonwealth Games in 1998, the first Commonwealth Games where the torch passed through more countries than England and the host.
The Malaysian government has taken the step of defining Malaysian Culture through the "1971 National Culture Policy", which defined what was considered official culture, basing it around Malay culture and integrating Islamic influences. This especially affected language; only Malay texts are considered official cultural texts. Government control over the media is strong, and most media outlets are related to the government in some way.